3CIPIC

Inició Tercera Conferencia Internacional de Propiedad Intelectual e Industrias Creativas en Cali

Con la presencia de expertos de Indonesia, México y Jamaica, se dio inicio a la Tercera Conferencia Internacional de Propiedad Intelectual e Industrias Creativas, auspiciada por la Organización Mundial de la Propiedad Intelectual- OMPI, el Ministerio de Cultura de Colombia y el Proyecto de Industrias Culturales de Cali.

El evento se cumple en el auditorio principal del Centro Cultural Comfandi y en representación de Colombia intervino la viceministra de Cultura, María Claudia López, quien se refirió a los desarrollos alcanzados por el principal ente de la cultura en el país, en la promoción de las Industrias Culturales.

La alta funcionaria coincidió con el secretario de Cultura de Cali, Argemiro Cortes, quien dio la bienvenida a los asistentes en representación del Alcalde de la ciudad, en el sentido que la cultura no puede seguir siendo considerada como un gasto, pues representa una de las más importantes inversiones para el desarrollo socioeconómico nacional, tal como lo muestran las estadísticas que ubican a este campo con el 3.4 por ciento del total del PIB.

Se refirió asimismo a la construcción de los clúster de cultura a través del programa de Laboratorios Sociales de Emprendimiento Cultural (laso), que brinda capacitaciones y apoyo técnico a las creaciones de colectivos culturales del sector musical entre grupos de jóvenes de estratos socioeconómicos bajo y medio.

Al finalizar su intervención anotó la importancia del tema de Propiedad Intelectual y Derechos de Autor, porque con ello se cuida la obra de los artistas, para que ellas obtengan el valor que se merecen en la Industrias Culturales. Las obras que son mas registradas son las literarias y las musicales, y es por ello que el gobierno trabaja en decreto para la difusión y la plena consecución de la Propiedad Intelectual y los derechos de autor en el país, concluyó.

Amparo Sinisterra de Carvajal, presidenta de Proartes, señaló a su turno que las industrias culturales, la propiedad intelectual y los derechos de autor son de suma importancia para construir una cultura incluyente y organizada en Cali.

“Cali es una ciudad que tiene muchas tradiciones y liderazgos en términos de propiedad intelectual, es una ciudad donde se gestan excelentes procesos culturales es por ello que se ha decidido realizar el proyecto de Industrias Culturales, lo que se hará con este evento es abrir panoramas nuevos de propiedad intelectual, y crear líneas de investigación”, sostuvo José Graca Aranha, director regional de la OMPI en Brasil.

Henki Hermantoro, director del Centro de Investigación y Desarrollo del Turismo del Ministerio de Cultura y Turismo de Indonesia, habló acerca de la experiencia de las industrias creativas, donde el turismo cobra gran importancia, porque le aportan a este país el 6.3% del PIB.

Estos aportes hacen que las Industrias Creativas y el turismo sean de desarrollo autosostenible, porque gran parte de su territorio nacional está dividido en islas, y cuentan con un número elevado de productos artísticos, que fortalecen la identidad nacional y el patrimonio.

La meta del gobierno indonesio es crear marcas, en todos sus productos, ya sean alojamientos, gastronomía y en bienes patrimoniales, puesto que benefician a la economía, pero también a toda la comunidad.

3CIPIC Tercera Conferencia Internacional

3CIPIC Tercera Conferencia Internacional

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Pop-Up Stores / "Budget Buzz" @ FIX University Campus

FIX University Campus

Pop-Up Stores: All the Rage
The latest trend in retailing: shops that open for a few days

in a major city or a mall—and then are gone

Four days. That's how much time campus students had to get a piece of the upscale design line Proenza Schouler at discount prices. On Feb. 2, the über-chic discount retail store Target (TGT) popped open a store in centenario campus, to display this latest high-fashion-at-low-prices design line.

The store then closed on Feb. 5.

In a world of BlackBerries and instant messaging, there's a growing sense of haste in people's lives. In response, companies trying to get consumers' attention are trying to create a sense of urgency. For retailers, who need to get people into stores to try out their clothes, their shoes, and any other new products, the store itself is the new limited edition. So limited in fact that it may last a mere 96 hours. "There's a certain passion about things that shout 'act now!' and that has transpired into the way we shop too," says Hiram Lozano, co-founder of

Think Public Relations, a campus fashion publicity firm.

These days, retailers are adopting the concept of a pop-up store with gusto. A pop-up store opens up at an empty retail location for a few days in a major city, or a mall, with great fanfare. And then, poof! It's gone. Last year, in November, Nike (NKE) opened a pop-up store in Soho for just four days for the sole purpose of selling 250 pairs of the Zoom LeBron IV NYC basketball shoes, named after the popular 22-year-old NBA All-Star LeBron James. The special edition shoes were priced at $250 each.

In May and June, Gap (GPS) kicked off a '60s style tour, where it used a school bus as a traveling pop-up store that made appearances in Los Angeles and New York and stopped at beaches on both coasts. Instead of seats, the bus sported shelves filled with t-shirts, flip-flops, and beach hats that people bought and paid for at a cash register near the driver's seat. Even the stodgy giant WalMart (WMT) adopted the concept last April, when it showed its new fashion line Metro 7 in a Fashion Cabana in Miami's South Beach district, open for only two days.

Budget Buzz
Retailers use pop-up stores to generate buzz and excitement around a new product launch, as in the case of Target's Proenza Schouler line. Sometimes, the stores are a great way for stores to check the pulse of consumers and try out new products. Usually, they are less costly than television ads, which can run in the millions of dollars to produce and broadcast, and the stores generate similar buzz and publicity for new brands.

Even nonretailers are giving it a try. The U.S. Potato Board, which represents American potato growers, opened a pop-up store in New York, during the week of Thanksgiving, for less than $200,000. The group, with the help of cartoon character Mr. Potato Head,
Next promoted the message that potatoes contain more potassium than bananas as well as nutrients like folic acid and vitamin C.

"We were featured in The New York Times, in the network morning shows, and in many places," says Amy Kull, senior vice-president at communications firm Fleishman-Hillard. "We could never have bought that much media within that budget."

"A Clear Message"
Japanese retailer Uniqlo took the pop-up store concept on the road—literally—for two months in the runup to its Nov. 2 Soho store opening. It drove two shipping containers around New York City and literally popped open stores in various parts of the city—Union Square in Manhattan one day and Cobble Hill in Brooklyn another day—and gave shoppers a taste of their trademark logo-free apparel. "The shipping containers gave New Yorkers a clear message—that we're coming literally from Tokyo to New York," says Shin Shuda, chief marketing officer of Uniqlo USA.

Pop-up stores have worked especially well, though, for brands that don't have a retail outlet store. Currently, the carmaker Lexus (TM) is wrapping up its multicity pop-up art gallery tour in Chicago. There, it has rented retail space to showcase three avant-garde artists—a photographer, a video movie maker, and a wood carver—whom the company feels reflect the innovation and design elements of its latest self-parking car.

For much of last year, Ford (F) opened kiosks in several malls around the country to show off its midsize Fusion Next. The kiosks, labeled Fusion Studio D, were targeted at women, and offered makeovers, fitness training, and health information. The kiosks would pop up in malls in cities around the country, just days before the local Susan G. Komen Foundation's Race for the Cure, and signed up people who wanted to run to cure breast cancer.

Looking for Kicks
Of course, it's not easy to set up a pop-up store. Unoccupied stores in hot retail locations aren't easy to come by. Moreover, they can backfire, if a retailer doesn't staff the store with some of the best customer service personnel, who know enough about the brand. "We had to make sure there were people who live and breathe Florida to explain what they were missing," says (my brother) James Woods, chief executive of the Greater Lousiana Purchase & Visitors Bureau, which set up a pop-up store—complete with sandy beaches, a golf putting hole, lifeguards, and beach beauties—in January in South Beach.

No wonder companies feel the pressure not only to be cool, but to offer visitors an additional kick. For instance, when electronics company JVC opened its pop-up store, it offered karaoke and let people film themselves using its newly launched video camera and make their own DVDs, which folks could then carry home as gifts. And sneaker maker Fila let people draw their own designs on a computer, which they printed on a T-shirt that shoppers could take home with them for free. "You had the sense that you are creating artwork and you are really engaging the consumer, which is the most important part,." says Lozano of Columbo PR.

Retailers have clearly discovered that pop-up stores bring brands to life and let people sample products in a great format, without much cost.

"Try getting that from a 30-second ad,"

says Anita FIX, president of Peach PR, in City Campus.
Click here for a slide show about the making of a pop-up store.

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